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You can just the flicker, to again, give the film a rough and uneven look that might be a bad projector or again show the age and wear of the film.Īdd It In Premiere – Tweak It In AfterEffects You can further tweak this by setting key frames for splotches to alter the size and amount of discolored patches on the image. Funk allows you to add various splotches and discolorations which are supposed to represent bad processing or age of the film. You can adjust fading, which gives the image an uneven look mimicking what you might see in older film due to age or cheap development. Because you have such control over every aspect of MisFire, you can make sure the effect doesn’t become stale, giving it a more original and unique look. That way they don’t interfere with your subject. This helps you to keep the scratches confined to a particular area of the picture. You can adjust the color, size, and frequency. You’ve got Micro Scratches, Basic Scratches and Deep Scratches – all of which are customizable. Now the first one I played with were the scratches. Once you click on the MisFire Bin, you’ll notice all fourteen of the various plug-ins that are automatically added with just dropping the first MisFire effect into your clip. Scroll down the list, and you’ll see MisFire with the other Magic Bullet plug-ins.
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Once loaded, you’ll find MisFire in the Video Effects Section of Premiere Pro. I was pretty happy with the results, but I wanted to add something to make it more stylized, and make it look less like video.
#Magic bullet looks after effects pro
There are 14 different plug-ins that make up the MisFire plug-in, and you can add, remove and tweak them to your liking using key frames in either Premiere Pro or After Effects CS5.5 or other NLE.Īfter editing and color grading that footage using Magic Bullet Quick Looks. With Magic Bullet Misfire, you have complete control over all of the aspects that go into creating the old film look. The issue with this for pro applications is that you’re stuck with the effect, making sure your project will look just like every other piece that uses this effect. With most of these, a preset filter is applied that usually throws in some grain and scratches and desaturates the image. It’s even a standard preset for many consumer cameras. You’ve seen this effect, it’s everywhere it seems. Misfire is a plug-in that lets you transcend your footage from new to old. Looking at the plug-in, I’ve used Premiere Pro to apply it to a short film I’ve I shot of the Access 59 Car Show using the iPhone4. I went back to the RedGiant website and searched and found just a small amount of information on their blog.Īharon Rabinowitz has written a good warm up about MisFire, along with some information about similar programs. Once I loaded the Suite and opened it up for the first time in Premiere Pro CS5.5 - there it was. I say unsung, because there’s not any mention of it being part of the Magic Bullet Suite.